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This is where the plot
thickens...
We
have one single photograph showing the interior of the 1896-1907
structure. That's it!
ONE.
Why? Cameras were
in wide use at that period. Interior photos were not uncommon. So why so few photographs of a place visited by presidents
and kings? Was there a "No Photography" rule to
boost postcard sales? Whatever the reason, we know almost nothing about
the interior beyond the labels on the blueprints. So if anyone knows of other interior photographs,
please step forward...
So without further ado, the
interior photograph... |

"PRES THEODORE
ROOSEVELT BANQUET SETTING, MAY 13, 1903 - NOTE PORTRAIT THROUGH BUNTING"
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John Hall,
creator of the 3D model gives his analysis of
the above photo as follows...
It was taken on the
third floor porch, south side, outside the main dining room. The
window on the left side of the jpg was covered for the photograph to
keep the direct sun out of the camera. The window just to the right
of the covered one was not covered and is the bright spot over the
'secret service men'. The bright window is facing west.
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One non-photographic clue to
the interior involves possible murals painted by an artist named Gustav
Ferdenano Dietz. Read more here. |
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The following photographs are NOT
from the victorian (1896-1907) cliff house, but are included for
reference... |

"HARP CONCERT
INSIDE THE CLIFF HOUSE"
This image is from
Marilyn Blaisdell's book.
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Although the
above image is on page 31 of Marilyn's book, it likely belongs a few
pages earlier chronologically as it is more likely a photo of the
earlier structure.
John Hall gives solid evidence
as to why the above photo is NOT of the 1896 structure...
I am 99.999% positive that the photo is
not the 1896 Cliff House. Here is my reasoning including
photos and diagrams.
There are a couple of things in the photo that demonstrate my point.
The light shining through the windows is at such an angle that the
windows must be along an outside wall. See
photo 1. The 1896 Cliff
House "Porch" would not allow direct sunlight intrusion to the room
except on the west wall with the sun at a very low angle. In
addition, count the windows from the sunlight on the floor. There
are 3 pairs of windows along the wall. This matches with the paired
windows along the south side of the Second Cliff House. See
photo 2. Next look at the
woodwork in the room. The style of the wood work looks earlier than
1896 to me. The interior doors do not have the same style as the
doors on the 1986 Cliff House
plans. The final point is the room itself with the placement of
doors, windows, and fireplace. See
photo 3 of the chimney
placement in the Second Cliff House. This room doesn't match any
room in the floor plans of the 1896 Cliff House. The closest room to
this was the third floor (street level) bar room where the fireplace
and windows were on the same wall. There are other minor things that
suggest an earlier date. These include the elaborate ceiling
painting, and kerosene chandeliers both out of date by 1896.
John |

A very nice interior shot
courtesy of POOA of the later
1909 structure. If anyone can identify the
performers, I would love to know...
gary

from Marilyn Blaisdell's
book, taken in Dec 8,1916. Note circled ornamentation in background, also
visible on the previous photo
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